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I’m thinking not only of the racism embedded in the soul of Andy Sipowicz (the earthshakingly good Dennis Franz) but of the increasing complexity of Bobby Simone (Jimmy Smits).
The Waltons’ Ralph Waite has been a marvelous skunk of a baddie, and Missy Crider’s work as a hapless murder defendant who also happened to be, as one character puts it, ”a major hottie,” gave One a fresh jolt of energy.In thieving attitude and atmosphere from The Larry Sanders Show, Arli$$ renders its unfunniness not merely sad but infuriating. RHODES (NBC) Even if this show about a hep-cat teacher didn’t star the charmless, barber-deprived Tom Rhodes, its ceaseless procession of ignorant yet cool students makes the show’s ”education is good” message merely depressing.3 DARK SKIES (NBC) The second-worst copycat, this time an insufferably pretentious X-Files variation.5 THE SIMPSONS (Fox) Unappreciated now because the media celebrated Bart-mania years ago, The Simpsons continues to be the most reliable satire on network TV.The season opener, in which Homer and family left Springfield to work and live in a happy-faced, fascist corporate community was such a dead-on critique of the Disney empire, I swear I heard Rupert Murdoch chuckling.5 BAYWATCH NIGHTS (syndicated) All-powerful producer and bathing-suit wearer David Hasselhoff has turned Nights into X-Files with Plan 9 From Outer Space F/X.
The results are dumb, sure, but also lacking in Baywatch’s blithe goofiness.Representing a final flourish of ’90s irony, it’s a deconstruction of talk shows that’s now even better than David Letterman’s.4 NEWSRADIO (NBC) Former Sanders collaborator Paul Simms has managed something Shandling has opted not to try: an iconoclastic sitcom that nonetheless adheres to the strictures of network TV.Very often, Larry Sanders is so funny I have to choke back a guffaw lest I miss the next punchline.And I can’t think of another sitcom that repays taping and repeated viewing as well.And, as if in response to the criticism that NYPD seems unable to create a female character who’s not primarily a foil for the men, there seems to be a breakthrough: new addition Jill Kirkendall (Andrea Thompson), a cop who is already looking like the most resonant crime-solving woman since Helen Mirren’s Jane Tennison in Prime Suspect.